Archive for the 'BCR' Category

16
Feb
17

Canon 1DX mark 2

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This is one blog that I’ve not been looking forward to writing. As a proud owner of a 1DX myself I am gutted that the Mk2 has even been produced to be honest. But as I can’t stop progress, I knew it would happen sooner or later. Inevitably, the Mk2 is better than the original as you would expect.

For those of you in the know, Canon name their cameras in the reverse order numerically so the lower the number the better the camera, hence the 1 series denotes this as Canons flagship model. If I am to be honest I believe the 1DX was a photojournalist’s camera, built to be used every day in whatever environment and whatever weather the operator found themselves in, from the touchline of a rugby match to the fence outside Buckingham Palace these cameras are built to work and to work hard.

We’ve received so many enquiries about the Mk2 that we couldn’t disappoint you any longer. I do love this about Pixipixel, we are a rapidly growing company but still listen to you folks, our customers, and respond to your requests, so keep on telling us what you want.

Anyway on with the blog (and remember this is hurting me more to write than it is for you to read). As I said above the 1DX mk 2 is the new Canon DSLR flagship, it may not have the resolution of some of its “lesser” siblings like the 5DS or 5DR but it has (almost) the ability to shoot in the dark and for me that’s more useful than massive files. I’m pleased to say, that although the pixel count has increased significantly (now 20.2mp) this miraculous ability to shoot using higher ISO’s in gloomy, dull or dark situations is as good as ever, in fact its better.

The Mk2 has improved video capabilities too now allowing for 4k 60p capture, making it a genuine option for you moving image folks. 120p can be achieved in full HD for your slow motion creativity and truly amazing AF tracking keeps the subject pin sharp. A new touch screen allows for easy accurate focus and this works seamlessly with all Canon EF lenses.

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If shooting faster than a Gatling gun is your bag then look no further, the Mk2 can shoot at 14 fps with full AF / AE tracking or up to 16 fps in live view. This is thanks to the new DIGIC 6+ processors and a new mirror drive system. If you use the latest Cfast 2.0 media then a burst of 170 uncompressed 14-bit RAW images can be captured almost before you knew you were trying.

I find it hard to believe that Canon could have improved the auto focus over the Mk1 but they have. Now with 61 selectable AF points (including 41 cross type and 5 dual cross type) and advanced A1 Servo AF III + and improved EOS intelligent tracking you really don’t have much of an excuse to miss that vital sharpness. Even when you choose to shoot at f8 all 61 points are at your disposal including 21 cross type sensors. She really is an impressive focusing beast. I could take my glasses off and still get everything sharp I reckon.

A built in GPS system with automatic time-zone updates is a neat inclusion (should you ever get lost or lose your watch) and lightning fast Superspeed USB 3.0 and Gigabit connectivity via Ethernet or the optional WFT-E8 WiFi adaptor caters to numerous workflow styles.

Brucie coolness rating has to be a well-deserved 10 out of 10 as you would expect from a Canon top of the line body, as much as the little green monster inside me wants to mark it down I really cant. Ok so I’m jealous because its better than my camera but you needn’t be because we got it in for you, yes YOU so pop in and let your inner paparazzi have some fun.

 

Many thanks BB

06
Oct
16

KOTM- Cambo Actus DB2 View Camera

Brucie Blogger is back with Kit of the Month!!

Actus DB eh so what do you think the DB stands for?

cambo actus.jpg

Well, I presume its “Digital Back” and nothing to do with “the canine’s orbs” as I first thought. Having said that the latter would also suffice as a good description, as this really is the DB’s when it comes to modern view camera offerings.

 

The Actus DB2 has evolved from Cambo’s Actus series of view cameras that are designed to be used in conjunction with mirror-less cameras and DSLR’s. The new DB2 can still be used with a DSLR on the back but as it is equipped to take a Phase one IQ3 100 mp back I don’t suppose we will see a DSLR attached very often. In fact,we are not going to rush out and buy an adaptor for DSLR’s unless one of you has a mega hire needing it and then perhaps we could have our arms twisted.

camboa2.jpg

Despite my vintage, I came into photography towards the end of the view camera era, I remember selling off the ones we had in Australia while they still had some decent value and recall being gutted as I wanted to play with one more myself.

Great quality tilt shift lenses by Canon and Nikon and have gone some way to replacing them but can only go so far, nothing can really compete with the ultimate image control that a good view camera can deliver.

 

So Cambo has been clever by coupling a modern take on the view camera with today’s megapixel top end digital backs and they seem to have done a lovely job of it too.

 

 

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Small size and a beautiful mover

 

 

 

 

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Not exactly a compact Mr.Adams is it?

The first thing you notice about the DB2 is its size, far from sticking out like, well like the DB’s it’s rather diminutive, fitting nicely into the palm of your hand. It’s a far cry from the cameras used by Mr. Adams and his counterparts back in the day.

 

But don’t let its size fool you this really is a well-equipped camera featuring.

 

 

360 degrees of front swing

19 degrees of front tilt

27mm of rear shift vertical

40mm of rear shift horizontal

150 mm maximum extension with standard monorail

295mm with long monorail

445mm with macro monorail

Available in a range of colours so long as you want anodized black that is.

 

All very impressive but what does that mean for your photography, well the highlights are below.

 

View camera movements allow for selective sharpness / selective un-sharpness

Rear shift movements for stitching wider angle images.

Focal plane shifts to increase file size

Image centered landscape / portrait selection

Built in macro extension.

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So as a view camera you can see that the DB2 really is a great piece of equipment but when you couple it with one of our IQ3 100mp digital backs from Phaseone then it becomes a truly awesome camera system. You now have a medium format, full frame sensor view camera with a resolution of 100 mp (more if you start stitching frames together) coupled with all the versatility that you could ever need.

 

Now one thing I recall about using view cameras in the past was having to check my focus by using a loupe on the rear glass and that was a pain, to say the least. Well, I’m pleased to say that those days are well and truly gone. My very expensive loupe has retired, now only making an occasional appearance to aid in the removal of splinters and the like, thank goodness. Today we have it much easier, by using the live view mode on the IQ3 back and viewing at 100% we can get that focus absolutely perfect.

 

But if that’s not quite easy enough for you how about using the WIFI ability of the IQ3 to give you live view on your iPad making the most of its large screen. Shutter release and full control over the back can also be accessed via this WIFI system thus removing any risk of camera shake spoiling your results, so that’s the cable release gone from your kit bag too.

 

So calling all the photographers who need the versatility of a view camera and the resolution of a modern top end digital back we now have you covered, dust off your Sinar lenses or hire ours and GET SHIFTING.

 

10 out of 10 for the BCR this camera is lovely and with the IQ3 on the back and some sexy glass on the front it’s even lovelier, come in and give it a go and please don’t forget to show us your beautiful moves (and tilts too).

Cheers all BB

 

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04
Jul
16

Introducing Genevieve

Now it’s quite an unusual name Genevieve especially in the present day, I don’t think I have ever met one to be honest. I recall an old film about a car race back from Brighton and I happen to know Sainte Genevieve (Saint Geneviève de Loqueffret )is the patron saint of Paris. I didn’t know that she is said to have saved the city from Attila the Hun and an outbreak of ergot poisoning (very nasty) not to mention being appointed as the guardian of the “consecrated virgins of Paris” so the name has some interesting and amusing history but it is still very unusual.

So having said that, I would like to introduce you to the newest Genevieve in London, She hails from Belgium which is very nearly Paris in my book, so it will suffice as a introduction and she is most definitely without any doubt whatsoever UNUSUAL.

 

Now Genevieve is a big girl she is quite heavy, but tall with it and she is delightfully quiet so you can take her home to meet the folks and she won’t embarrass you, but none of that is what makes her unusual. She is unusual, because of her power and she has heaps of it, she puts a 1970’s female Soviet Block weightlifter to shame and without the steroids!

 

Ok, I’ve had my fun and before I put you off Genevive all together, I should point out that she is a truck, a 4 x 4 wheel drive truck and she carries with her a 100kva generator!

 

Yes, Genevieve is our shiny new Mitsubishi Canter generator truck and you won’t find another lady like her in London.

genevieve 1

So lets start with Geneviève’s body, as I said she is a Mitsubishi Canter truck so has constant four wheel drive, high ground clearance, locking hubs, heavy duty axles and off road tires in fact many councils use the Canter as a base for their snow ploughs so she is a tough go anywhere kind of girl. She weighs in at about 6.5 tones so she’s not exactly anorexic and requires a taco (no not as in like a burrito) as in a tachograph! But don’t let that put you off, we can always find a driver if required and a spark (electrician) for that matter.

 

One quick glance inside her shapely rear end reveals the mother of all generators producing 100 Kva at your demand for anything from charging your IPhone to bringing Frankenstein’s monster back to life. With more outlets than Costa Coffee you won’t be short of places to plug into whatever you are using in fact she has:

One each of 125 and 63 amp single phase outlets and a brace of 32 and 16 Amp ones too. If you are after 3 Phase then she is equipped with a power lock and a 125 amp socket. Ok so no USB port but you can plug your phone into the cigarette lighter like everyone else.

genevivepower.jpg

 

A modest amount of storage is available for kit at the very back but if you need 100Kva then I don’t think this will be enough room for everything you are running still it’s better than a poke in the eye!

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But by far the most impressive thing about this lady is how quiet she is, I had Toby start her up for me yesterday and even with the rear service hatch wide open I swear she made less noise than a little Honda 2Kva generator and they are renowned for being quiet.

 

So if you like your women tall well built, adventurous, powerful and silent then Genevieve is the girl for you. Why not give us a call and arrange a date?

genevieve2

The only improvement I would make is a huge set of bull bars and a winch but I’ve spent too long down under so ignore me, she is a perfect 10 as Kevin Bloody Wilson would say (those easily offended should not look up Kevin or his music)

13
May
16

KOTW-Arrimax 12/18 kW High Speed Ballast.

Arrimax 12/18 kW High Speed Ballast

 

So lets face it no matter how much I try to make this sound exciting it not going to be.

This is a fabulous bit of kit but it’s never going to score highly in the wow factor despite it’s cost and weight, I would say that its most popular feature is going to be the wheels!

Arri_562814_Arrimax_18_12KW_Electronic_Ballast_1336488694000_417450.jpg

 

I guess in the interest of spicing things up a little I should look into what a ballast actually is. Now although probably heavy enough this is definitely not the sort of ballast used to keep a boat the right way up or a balloon on the ground it’s something else entirely.

 

Put very simply, (to suit me) a ballast is an electronic device designed to limit the amount of current in an electric circuit. It automatically allows for a higher current at start up (striking) to allow for an arc to form between the electrodes in your bulb but then immediately limits that current to an optimum level, thus allowing for the bulb to produce the desired level of luminance whilst retaining its rated lifespan. Interestingly without a ballast a thing called a “negative differential resistance artifact” would cause the current in the bulb to very quickly “RISE TO DESTRUCTIVE LEVELS” and BANG. You get the idea, no more bulb, no more light.

 

So despite my obvious temptation to blow things up I guess that a ballast is a fairly important bit of kit, unless of course your dad owns Osram. So what’s so special about this one then? other than the wheels that is.

 

Well its what’s known as a high-speed ballast and no that’s got nothing to do with the wheels, for a start they would be alloys and have low profile tyres on them if this was some kind of racing machine. No high speed refers to the ability of the ballast to produce a virtually constant output over the entire AC cycle, allowing for flicker free operation and in turn filming at higher frame rates without a problem.

 

Ok so I bet you are itching to know how this is done, well it’s all about the shape of waves. A normal AC power supply has a nice curvy wave pattern, if you care to look at it on your oscilloscope (what do you mean you don’t have an oscilloscope, call yourself a photographer but don’t have an oscilloscope for goodness sake!) it looks something like this.

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Now, a normal “magnetic” ballast does a pretty good job in smoothing this out but if we look at the image below you can see that the light output fluctuates or flickers.

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That flicker plays havoc when we are shooting at high frame rates so is not ideal.

 

A high-speed ballast like the Arri 12/18 kW squares off the wave pattern and in turn produces a far more constant light output see below.

 

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Clever Stuff eh??

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With this consistent output high frame rate filming becomes possible without issue. Arri says that frame rates up to 3000 fps are possible when using multiple sources due to the ability to use up to 1200Hz lamp operation. With a single source the new 1000Hz ballasts are fine for lighting at frame rates of 1000 fps and in many cases even faster.

 

Happily for us this square wave format should increases the life of the bulb by around 20% and you will be pleased to know it can also increase the light output by 6-8% so it is hip to be square after all.

 

Now with every up side it seems a down side must follow and surprise surprise this is no exception. The issue with square waves (other than being useless to surf) is noise. The square waves can cause the globe and igniter to buzz, the head becomes a resonating chamber and the noise, now amplified is projected out of the front of the light (because it has a big hole at the front) straight towards the set. This is not an issue unless you are recording sound and then it’s a nuisance to say the least. But an answer is at hand and it involves cutting corners!

 

By using a special circuit in the ballast the corners of the square waves can be “rounded off” this prevents the buzz and keeps the sound guys happy. This does have an effect on the Hz that you can run at unfortunately but the Arri unit still can put out a very respectful 50-60Hz for low noise environments.

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So that was exciting wasn’t it I hope we are all now fully trained as far as waving is concerned and I would expect to see a marked increase in oscilloscope sales in the near future.

 

But back to the ballast in question I’ve had a bit of a look at its technical specifications and it has a couple of nice features beyond its wave changing trickery, how about cold striking and hot re striking and dimming from 100 -50% of power, oh and did I mention wheels?

 

This ballast also features DMX remote dimming capabilities (that’s fairly self explanatory) and an Active Line Filter for Power Factor Correction (a what for what?). from what I can understand about this it results in a more efficient power use and also assures a consistent colour output despite dimming or mains voltage fluctuations.

 

Full safety protection for over heating, short circuit and over voltage issues is built into the circuitry making for worry free operation. ABS and a drivers side airbag are not included however so be careful when pushing it around.

 

Well, I got through that without too much brain ache and I hope you did too?  Ballasts are never going to rock your world, but without them we would be in the dark (literally) so I am glad people like Arri are putting so much effort into making them better. I am hesitant to give a BCR Brucie coolness rating as its not going to score high enough on the cool side of things so on this occasion I will use my special BCR Ballast Capability Rating and award a 10 out of 10 to this beast.

 

Oh and it weighs about 49kg so if you have an assistant to punish let us know and we will take the wheels off!!!!

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Cheers BB

16
Mar
16

KOTW Anton Bauer Cine Batteries

Anton Bauer Cine Batteries

Well I’ve been given easier tasks, “do a blog about the new Anton Bauer Cine batteries”. I’m not complaining about doing a blog, or for that matter the rather nice new batteries from the folks at Anton Bauer, but how am I meant to make a battery sound fresh and exciting eh?

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Batteries are one of those things that we need on almost every job but they are often the last thing you think of, sure your DOP often has a favourite camera and specific lens in mind when we get the list to quote on, but more often than not we get a line on the list saying something like “and batteries to suit” or “and 6 batteries”. I have a feeling that once the Cine batteries from Anton Bauer start to make an appearance on your jobs we will start to get specific requests for them.

 

So why would you want these over another battery system?

 

Well for a few reasons actually, firstly and I have to say it’s about time, the new Cine batteries have a large LCD display on each battery showing exactly what percentage of power is available, so a quick glance into the bag and you know exactly how much oomph you have left. I wish all batteries had this feature as I’ve lost count of the number of AA’s I’ve binned that probably had some life left in them or the amount of times I grab my go pro to find its flat because the Wi-Fi button got pressed in my bag and my “charged” spare is flat as a lizard drinking.

 

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This same display changes from percentage readout to remaining time readout in minutes and seconds once you connect it to something.

 

Now talking about connecting they come in either V mount or the Anton Bauer gold mount, we have opted for V Lock here. For ease of operation they also all sport a PowerTap connector to power auxiliary accessories like monitors etc.

 

The other advantage with these new batteries is the reduced footprint making these smaller than the normal offerings from Anton Bauer and hence ideally suited for Arri Alexa mini or the Dragon Weapon or for remote operation on stabilizer rigs, drones and so on.

 

I guess that battery safety is also a big thing at the moment, especially after a Christmas full of exploding hover boards eh. Well Anton Bauer has made some real efforts to make these batteries as safe as can be. They incorporate “fuse link” technology that protects surrounding cells from “catastrophic damage” should anything go wrong. Numerous sensors within the battery line ensure optimal battery performance. These sensors check temperature and over-current states.

 

So if you are in the market for 12 amps of serious 14.4 volt power in either 90 or 150 WH then look no further than the new Cine system from Anton Bauer and to find them. Well as with all the best new equipment you know where to find it, right here at Pixipixel.

 

Now one thing that really impresses me regarding these batteries is that they are backwards compatible, meaning that they will work with our (and your) existing Anton Bauer chargers. This is, in my book a demonstration of great customer service and support and I wish more companies would work like this.

 

Well that’s it folks, sorry I couldn’t make these batteries any more exciting for you, if you want excitement from a battery then put your tongue across the terminals but other than that just enjoy the fact that you don’t have to think about them too much.

Ok so to the all-important BCR. Well they gained points for that wonderfully useful display and their cool look but mostly for the compatibility with existing chargers so I think an 8/10 is a pretty good score especially for a BATTERY!

 

 

Specifications:

 

90WH

Watt Hour 90 WH

Size 11.86 x 9.75 x 10.19 cm

Weight 1.04 kgs

Voltage 14.4 volts

 

150WH

Watt Hour 150 WH

Size 11.86 x 9.75 x 10.72 cm

Weight 1.22 kg

Voltage 14.4 volts

11
Mar
16

KOTW-Red Weapon

Red Weapon

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I must admit to enjoying the names that Red gives to its cameras, we have had a few now, the One, the Scarlet, the Raven, the Rocket, the Epic and the Dragon to name a few, but today I want to talk about the Weapon.

 

I’ve been “googling” Red this morning, trying to find out some tech specs and so on about the Weapon and its made for some interesting reading. For example I had no idea that Red were founded by Jim Jannard, who formally founded Oakley (the sunglasses people). Now when you Google the Red Weapon all you can find is the announcement of the latest 8K version but more on that when our one arrives, for today I will waffle on about the 6K version that are sat here ready and waiting for you.

 

So 6K eh, seems like only yesterday that the buzz word was 2K it makes me wonder when its going to stop, I don’t know about you but I don’t think my eyes are 6K ready and my TV certainly isn’t. But I’m not criticizing this progress, far from it, the more the merrier as far as I am concerned but are we approaching a point where camera resolution is better than our own ability to see it? Perhaps someone more technically minded can answer that one.

 

So accepting that we NEED 6k is one thing, shooting it and handling the data this produces is quite another and this is where Red have gone and done it again with the superb Weapon.

 

As we have come to expect Red have produced yet another revolutionary camera with the Weapon and the 6K headline is really only a small part of the story.

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The Weapon (of mass resolution) has more to offer than just the big bag of pixels, it’s got some other rather nice features that should make it a pleasure to use.

Firstly with all those extra pixels causing an increase in the amount of data produced red have re designed the media slot allowing for lightning fast write speeds of up to 300MB/s to Red mini mags. This is a necessity when you consider that the Weapon can shoot 6K motion and Stills at up to 100 FPS.

 

Whilst I am talking data how about 1D and 3D LUT output and simultaneous recording in both Redcode Raw and Apple Pro Res. With support for Avid-DNHR and Avid DNHD also soon to be available it think you could say Red has that side of things covered.

 

A new intelligent OLPF system (optical low pass filter) provides excellent rendition of tone and colour even in dim conditions and this helps to preserve colour quality across mid-tones, darks and shadows, Red have even introduced a cam lock feature making it easy to change OLPF units to customize footage. These OPLF units “communicate” directly to the “Brain” due to integrated circuitry within the Weapon itself. This built in circuitry also includes the interchangeable I/O expanders allowing for you to configure the system specifically for your purpose whilst avoiding those pesky leads.

Interchangeable lens mounts, lemo adaptors and expanders and built in stereo microphones all add to the flexibility of this camera and who wouldn’t want wireless connectivity to Android and IOS devices. Start stop buttons are also now integrated into both the top and outrigger handles, which makes sense.

 

Lastly the brain infrastructure has been re designed (I wish I could do the same with mine!!) to improve low light sensor performance and provide automatic black shade calibration.

 

Ok I will admit here that I had no idea what black shade calibration is, so if you are as much in the dark as me……..

Black Shade Calibration means:- The brain measures the pattern of fixed noise coming from the sensor and the subtracts it from all subsequent frames leaving only random noise behind, its like a map of the noise, now that’s so very clever isn’t it?

 

So that’s about all I am going to bore you with I think its probably best that you just come in and take our weapon away for the weekend to experience all the above for yourself. It is an amazing bit of kit and I know you won’t be disappointed. As far as coolness is concerned well it’s an 11/10 from me, this thing is as cool as a polar bears backside and has a great name to boot!

 

Cheers all BB (in need of a Red Weapon T-shirt I think!!!)

 

Tech specs are available on the Red website here.

Red Weapon Tech Spec

07
Mar
16

KOTW- Phase One 100mp IQ3 Digital Back

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I’ve been thinking back……… I went to live in Australia in 1998 and about a year later my parents turned up for a visit and moved into my spare room for 3 months!!!!! Now I love my Mum and Dad but 3 months in the same house was a big ask, I think my old man realised this as he got me a sweetener in the duty free shop on the way over.  My first ever digital camera.

 

I was chuffed, not being heavily into photography in those days I didn’t really understand much about cameras and a Fuji finepix 3 mega pixel sounded good. It didn’t take me very long to realise that it was in fact pretty blinking useless, it had the tonal range of a zebra crossing and enough shutter lag to go make a coffee before it would take a picture. Anyway half of it is somewhere on the slopes of Mt Hotham with my mountain bike derailleur and will never be seen again, no great loss.

 

Since those days I’ve had the opportunity to get hands on with some seriously nice cameras and over the years have watched with some amusement the ever growing pixel count, I’ve waxed lyrical to students about the benefits and drawbacks of squeezing more and more pixels onto a sensor and what it can do to tonal range and low light performance and so on. However nowadays our mobile phones have more in the way of mega pixels than many cameras do and lets face it they take very acceptable photos. So what’s left for us photographers? How do we set ourselves apart from the smart phone paparazzi? (could we christen the term I-pap here I think it has a nice ring to it.)

 

Well firstly our skills as image makers should do the trick I would hope, but what about equipment? Can that still play a major part in setting us apart as professionals? Well yes of course it can, a decent DSLR is always (I hope) going to give you some advantage over a smart phone and a medium format system should give you some advantage over the DSLR this is very much the “pecking order” amongst us photographers. So if we are going to aspire to be top of that order what should we be saving up for?

Well funny you should ask, because I think I may just have an answer for you!

It’s not a cheep answer sorry,  but on the bright side you can hire it and I think you know where from……..

 

So if having the ultimate digital image is important to you, then you need look no further than the splendid Phaseone XF camera system with the incredible new 100 mp IQ3 back. I did a brief blog about the XF camera a while back and talked about its superb new AF system making it as useable as a DSLR but I want to concentrate on the back today as it really deserves a blog all of its own.

So the first and most obvious feature of the IQ3 is the resolution, we have hit the magic 100mp mark because 60 or 70 mp just didn’t cut it eh! Still the more the merrier it would seem and 100 is a nice round number to work with but does it really help? Yes, of course it helps, the sensor in this back is 2.5 times bigger than the one in even the most high end DSLRs and this allows room to fit in all the pixels without reducing them in size and hence keep the dynamic range nice and high and maintains an exceptionally wide angular response. This combination of quantity and quality as far as pixels is concerned make the IQ3 back “quite literally the best of all worlds when it comes to digital image quality”.

 

A rather nice review is on the Phaseone website, penned by Peter Eastway who was lucky enough to take an XF system on a recent trip to Antarctica. Now Peter used to be one of my customers down under, so I know he knows what he is talking about he is a truly great photographer and a jolly nice bloke to boot. You can read his review here.

 

Better Photography Review

Now all the technical stuff is covered thoroughly on Phaseone’s website so I wont get too bogged down in that but here are the headlines to wet your appetite.

100 mp:

(We covered that)

15 stops of dynamic range:

(That’s more than Ansel Adams) With an unrivalled 15 stops of  dynamic range the IQ3 retains unmatched details in both shadows and highlights.

Phaseone colour:

Phaseone are renowned for accurate colour rendition. They claim this is a passion of the company and they have been working on it for over ten years now so not surprisingly the IQ3 will not disappoint when it comes to colour.

16-bit Colour depth:

With the introduction of 16-bit colour depth and the CMOS ISO flexibility the IQ3 gives a natural texture and tonal feel similar to the textures and tonal feel of analogue photography.

ISO from 50 – 12800:

The IQ3 has a remarkable base ISO of 50 and due to the expansion of CMOS technology and the newly updated Capture One software   it offers exceptional creative freedom right across its ISO range to  12800 whilst retaining excellent noise suppression.

60-minute exposure:

Not only does the IQ3 offer up to 60 min exposure times but it does this without any compromise to ISO flexibility.

Electronic first curtain shutter:

This greatly helps reduce vibration and allows for less mechanical dependency, this is even more important than normal when you are dealing with a 100 mp back. Nicely this function is worry free, automatically activating when mirror lock up or vibration delay modes are used.

 

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I think its safe to say that this back is simply superb, however Phase One have designed it as part of a complete system and it really shines when matched up with the magnificent Phase One XF body and some of their 100 MP ready lenses.

As a medium format camera system today I don’t believe it can be beaten.

Now for my coolness rating, BCR of 10/10 maximum marks, I think the only way to make this cooler would be to take it to Antarctica but as Peter Eastway has already done that I guess I’m out of luck again.

 

Please visit the PhaseOne site for full technical details here:

PhaseOne Technical Details

Cheers BB




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