10
Jan
17

Litegear LiteTile 8×8 LED

Welcome to the new year everyone, we hope you had a great Christmas and a relaxing break and are now ready and waiting for the next twelve months of fun and games.

Now the new year seems to have brought with it a bit of a cold snap so with your best interests in mind as always we would like tell you about one of our Christmas presents to ourselves, a rather fetching blanket.

Yes we know that blankets tend to encourage you to stay in bed normally but not this one, in fact this one is definitely worth getting up for.

The brand new Litegear LiteTile is something rather special and we had our first play with it yesterday and we’re very impressed. We already have a good range of LED lights from Litegear and they are proving to be popular with you folks but this one is bigger and better than anything we’ve seen so far.

Imagine a flexible blanket of Bi colour LED’s that’s 8 foot square and what that would allow you to do. Now stop daydreaming because it’s here now waiting for you to enjoy.

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I have to admit that personally I’d like to take it home and use it as a blanket on my 12 year olds bed, I cant help thinking that waking her up in the morning would be easier if I could make her whole bed light up at the flick of a switch!

To get a bit technical for a moment the LiteTile 8×8 actually consists of four 2×8 foot panels that can be configured to form a number of shapes, Velcro covered edges allow for each panel to attach to its neighbor or for that matter anything else that has a Velcro fastener on it. Also equipped with eyelets to allow for attachment to grip or butterfly frames as required.

Being made of hi-grade engineered textile the LiteTile is flexible enough to be configured round curves, folded, scrunched up and so on making them a truly versatile product.

As far as light is concerned the LiteTile is equipped with new CineMitter LED’s which boast a CRI and TLCI* rating of 95+ along and a extended colour temperature range of 2600K – 6000K. All new DMX enabled dimmers are supplied giving full local control of dimming and colour temperature or allowing for connection to a control desk.

Everyone will want to know what the maximum output is so for the record the LiteTile gives out a very useable and impressive 20384 lumens (that’s bright to you and me)

When it comes to powering, it’s not much more difficult than plugging in your electric blanket, granted it uses 16 amp leads but we have plenty of jumpers if you need to use a 13amp domestic outlet. Each of the 4 2ft by 8 ft panels has its own power supply so they can be used independently and we will shortly take delivery of a single power supply to run all four units together. A V-lock battery option is muted in the future and no doubt we will get one as soon as it’s available but this may be a while before it hits the market. The individual panels each have a header lead of 7ft or 2.1m in length, giving you plenty of scope to position the supply out of sight.

So if you’re in the market for a large flexible soft light then this could be what you are looking for and now you know who has it you’re really running out of excuses.

Litegear also make a 4 foot version but as you can fold the 8 foot in half and keep using it I don’t think we will rush to get the smaller one, bigger is better anyway.

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The all important BCR (Brucie coolness rating) for this has got to be at least an 11 out of 10, its portable, powerful and versatile all of which are great attributes, but its also very cool and I rather like it. I can’t help but wonder what LED’s will turn up next, anyone got any suggestions?

You could take it to Glastonbury this year just to make finding your tent easier.

Thanks for reading.

 

 

TLCI means “Television Lighting Consistency Index” it’s calculated using a spectroradiometer and is a measurement of a luminaires spectral power distribution in the context of television. The results can be checked against the table below. Hopefully you all feel as enlightened and excited by this as we do.

 

 

85 – 100 errors are so small that a colourist would not consider correcting them
75 – 85 a colourist would probably want to correct the colour performance, but could  easily get an acceptable result
50 – 75 a colourist would certainly want to correct the errors, and could probably  achieve an acceptable result, but it would take significant time to get there
25 – 50 the colour rendering is poor, and a good colourist would be needed to improve  it, but the results would not be to broadcast standard
0 – 25 the colour rendering is bad, and a colourist would struggle for a long time to  improve it, and even then the results may not be acceptable for broadcast

 

 


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